We’re officially cashing out of the glitter-soaked chaos of Heaven’s Gate and slipping into a new era.
and I are posted up in the lab, mapping the next arc of Relapse: bigger stakes, new villains, and gear you won’t see coming.This chapter pivots Drew from casino mayhem to uncharted horizons. Linking up with old allies and a few wild cards he met inside Heaven’s Gate as he trades high-stakes tables for a quest where survival, self-discovery, and mythic power collide. It’s the spiritual bridge we needed between where we’ve been and where we’re headed. While the story is rooted in my life, I’ve always wanted to expand it from “musician vs. industry” into something vaster, layered with symbolism and real narrative weight.
Vault IV: burnout and self-reflection
Vault V: romantic breakups
Vault VI: my L.A. house fire
Heaven’s Gate: risking everything for a quick score and paying the price
Vault V: Act II, Petty Tape, Less Is More and Heaven’s Gate Instrumental on
!The new era dives deeper into mythology, fiction, and literary influences I’ve been studying. (Fun fact: the first draft had me meeting Guan Yu and an Egyptian deity by chapter three… had to pump the brakes 😅.)
Buckle up! more music, merch, and surprises are on the way. Appreciate all the love!
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About Us
We Had Our Time is a NYC-based music licensing and soundtracking boutique, specializing in syncing music for commercial productions, including cinema, TV shows, brand advertisements, and collaborations with record labels and publishers.
Relapse: The Ghosts We Can’t Leave Behind
Relapse is a manga-inspired, semi auto-biographical graphic novel that follows Drew, an ambitious musician navigating the chaos and beauty of the music industry. It’s a journey of introspection, personal reckoning, and rediscovery.
Discography
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